Last edited by Arazilkree
Sunday, August 2, 2020 | History

4 edition of Opera, liberalism, and antisemitism in nineteenth-century France found in the catalog.

Opera, liberalism, and antisemitism in nineteenth-century France

Diana R Hallman

Opera, liberalism, and antisemitism in nineteenth-century France

the politics of Halévy"s La juive

by Diana R Hallman

  • 70 Want to read
  • 0 Currently reading

Published by Cambridge University Press in Cambridge, U.K, New York .
Written in English

    Subjects:
  • Halévy, F., -- 1799-1862.,
  • Opera -- France -- 19th century,
  • Antisemitism -- France -- History -- 19th century,
  • Liberalism -- France -- History -- 19th century

  • Edition Notes

    Includes bibliographical references (p. 341-371) and index

    StatementDiana R. Hallman
    SeriesCambridge studies in opera
    Classifications
    LC ClassificationsML410.H17 H35 2002
    The Physical Object
    Paginationxvii, 390 p. :
    Number of Pages390
    ID Numbers
    Open LibraryOL17062772M
    ISBN 100521650860
    LC Control Number2001052446

    The "moving wall" represents the time period between the last issue available in JSTOR and the most recently published issue of a journal. Moving walls are generally represented in years. In rare instances, a publisher has elected to have a "zero" moving wall, so their current issues are available. Hallman, Diana R. Opera, Liberalism, and Antisemitism in Nineteenth-Century France: The Politics of Halévy's La Juive. Cambridge: Cambridge UP, Pp. ISBN Steven Huebner, McGill University Fromental Halévy's five-act opera La Juive to a libretto by Eugène Scribe enjoyed enormous success following its premiere at the.

    Opera and Drama in Eighteenth-Century London: The King’s Theatre, Garrick and the Business of Performance Ian Woodfield Opera Liberalism, and Antisemitism in Nineteenth-Century France: The Politics of Halévy’s La Juive Diana R. Hallman Three Modes of Perception in Mozart: The Philosophical, Pastoral, and Comic in Cosi fan tutte Edmund J. Opera Acts: Singers and Performance in the Late Nineteenth Century Karen Henson Opera Acts explores a wealth of new historical material about singers in the late nineteenth century and challenges the idea that this was a period of decline for the opera singer.

    He has appeared as a soloist on virtually every important concert series in France and has performed often on Radio France and French national television. for which she was granted a Barry S. Brook Dissertation Award, served as the basis of her book, Opera, Liberalism, and Antisemitism in Nineteenth as well as the Biennial International. Book Review of Julie Kalman, Rethinking Antisemitism in Nineteenth Century France for Archives Juives (forthcoming, submitted June ) Book Review of Mitchell B. Hart, ed., Jews and Race: Writings on Identity and Difference for H-Judaic (forthcoming, submitted July ).


Share this book
You might also like
What Is a Bear (Science of Living Things)

What Is a Bear (Science of Living Things)

4GL application development for a Unix business computer system.

4GL application development for a Unix business computer system.

Hackers.

Hackers.

William Tyndale and the law

William Tyndale and the law

Registers of Rowington, Co. Warwick.

Registers of Rowington, Co. Warwick.

For the Relief of Edwin John Nelson (H.R. 14087, by Mr. Allen)

For the Relief of Edwin John Nelson (H.R. 14087, by Mr. Allen)

What happens on a passenger liner

What happens on a passenger liner

Big Big Laughs

Big Big Laughs

Human Reproduction Lectures in Physiology Pop & Fam Plan - Fam Plan Spira 3 V Set (Paper)

Human Reproduction Lectures in Physiology Pop & Fam Plan - Fam Plan Spira 3 V Set (Paper)

pseudo church doctrines of anti-Pedo-Baptists defined and refuted

pseudo church doctrines of anti-Pedo-Baptists defined and refuted

The Ten Cent Plague

The Ten Cent Plague

Personnel practices in colleges and universities

Personnel practices in colleges and universities

Opera, liberalism, and antisemitism in nineteenth-century France by Diana R Hallman Download PDF EPUB FB2

Opera Liberal Antisemit 19C France: The Politics of Hal¿vy's La Juive (Cambridge Studies in Opera) [Hallman, Diana R.] on *FREE* shipping on qualifying offers. Opera Liberal Antisemit 19C France: The Politics of Hal¿vy's La Juive (Cambridge Studies in Opera)5/5(1). Get this from a library. Opera, liberalism, and antisemitism in nineteenth-century France: the politics of Halévy's La juive.

[Diana R Hallman] -- "This is the first comprehensive critical study of the nineteenth-century French grand opera La Juive (Paris Opera, and antisemitism in nineteenth-century France book, a powerful and successful work by the leading dramatist and librettist. Find many great new & used options and get the best deals for Cambridge Studies in Opera: Opera, Liberalism, and Antisemitism in Nineteenth-Century France: The Politics of Halévy's la Juive by Diana R.

Hallman (, Paperback) at the best online prices at eBay. Free shipping for many products. The book under review is the first one in English devoted entirely to Halévy's greatwork. Its author seems to deliver both more and less than her title (Opera, Liberalism, and Antisemitism in Nineteenth-Century France) : Tom Kaufman.

Buy Opera, Liberalism, and Antisemitism in Nineteenth-Century France: The Politics of Halevy's La Juive (Cambridge Studies Opera Opera) by Diana R.

Hallman (ISBN: ) from Amazon's Book Store. Everyday low prices and free delivery on eligible orders.5/5(1). Antisemitism--France--Historyth century.

Juive. More Details. author. Hallman, Diana R. title. Opera, liberalism, and antisemitism in nineteenth-century France: the politics of Halévy's La juive / Diana R. Hallman.

series title. Cambridge studies in opera The book addresses the opera's portrayal of religious intolerance and Jewish. Opera, Liberalism, and Antisemitism in Nineteenth-Century France: The Politics of Halévy's La Juive, by Diana R.

dge and New York: Cambridge University Press: pp. $ Read "Opera, Liberalism, and Antisemitism in Nineteenth-Century France: The Politics of Halevy's La Juive (review), Nineteenth Century French Studies" on DeepDyve, the largest online rental service for scholarly research with thousands of academic publications available at your fingertips.

Diana Hallman, an associate professor of musicology in the UK College of Fine Arts, is an internationally recognized scholar of French 19th-century opera.

She has published the book Opera, Liberalism, and Antisemitism in Nineteenth-Century France: The Politics of La Juive (Cambridge University Press) and has contributed to such notable texts as.

She is author of the book Opera, Liberalism, and Antisemitism in Nineteenth-Century France: The Politics of Halévy’s La Juive (Cambridge Studies in Opera, Cambridge University Press, ; ), as well as chapters and articles on the life and works of composer Fromental Halévy in The Cambridge Companion to Grand Opera (Cambridge.

H-France Review Volume 4 () Page H-France Review Vol. 4 (May ), No. 56 Diana R. Hallman, Opera, Liberalism and Antisemitism in Nineteenth-Century France: The Politics of Halévy’s La dge and New York: Cambridge University Press.

Opera, Liberalism, and Antisemitism in Nineteenth-Century France (ISBN ) bestellen. Schnelle Lieferung, auch auf Rechnung - Read this book on Questia. By the nineteenth century we mean the hundred years which stretch from the Restoration of the Monarchy in to the outbreak of the Great War in.

OPERA AND MODERN SPECTATORSHIP IN LATE performance, activating opera’s capacity to cultivate a public. This book considers how four operas and one film deal with their public: one that in Boito’s Mefistofele is entertained by Opera, Liberalism, and Antisemitism in Nineteenth-Century France: The Politics of Halévy’s La Juive.

Table Of Contents: December December Vol. 68, No. New Met Book Review: Opera, Liberalism, and Antisemitism in Nineteenth-Century France: The Politics of LA JUIVE Subscribers Only. by Diana R. Hallman Book Review: Interpreting Wagner. Opera, Liberalism, and Antisemitism in Nineteenth-Century France by Diana R.

Hallman Call Number: MLH17 H35 Opera in America by John DizikesAuthor: Paula Hickner. Louise Dabadie, born Louise-Zulmé Leroux and also known as Louise-Zulmé Dabadie (20 March – 22 November ), was a French opera singer active at the Paris Opéra, where she sang both soprano and mezzo-soprano roles.

Amongst the roles she created were Jemmy in Rossini's William Tell and Sinaïde in his Moïse et in Boulogne-sur-Mer and trained at the Conservatoire de. La Juive (French pronunciation: [la ʒɥiv]) (The Jewess) is a grand opera in five acts by Fromental Halévy to an original French libretto by Eugène Scribe; it was first performed at the Opéra, Paris, on 23 February La Juive was one of the most popular and admired operas of the 19th century.

Its libretto (text) was the work of Librettist: Eugène Scribe. Opera, liberalism, and antisemitism in nineteenth-century France: The politics of Halévy's ‘La Juive’ (Cambridge University Press, ).

Hamel, Réginald and Méthé, Pierrette. Dictionnaire Dumas: Index analytique et critique des personnages et des situations dans l'œuvre du romancier (Montreal: Guérin Littérature, ).Cited by: 6.

Read this book on Questia. Inbeing twenty-one years of age, I was an elector and was very much perplexed; for I had to participate in the election of fifteen or twenty deputies and, moreover, according to French practice, to select not only men but to discriminate as to theories.

This book has been cited by the following publications. Opera, Liberalism, and Antisemitism in Nineteenth-Century France: The Politics of Halévy's La Juive.

Cambridge, Cambridge University Press, ‘German Liberalism and the Emancipation of the Jews Cited by: She is the author of the book Opera, Liberalism, and Antisemitism in Nineteenth-Century France: The Politics of Halévy’s La Juive (Cambridge,), as well as articles in The Cambridge Companion to Grand Opera (), Music, Theater, and Cultural Transfer: Paris, – (), Le Concours du Prix de Rome de la musique ( Author: Diana R.

Hallman.Opera, Liberalism, and Antisemitism in Nineteenth-Century France: The Politics of Halévy's "La Juive" by Diana R. Hallman Opera, Liberalism, and Antisemitism in Nineteenth-Century France: The Politics of Halévy's "La Juive" by Diana R. Hallman (pp. ).